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| 荒诞中的危机:拟剧视角下《卡通》的后现代社会隐喻 |
| Crisis in Absurdity : Postmodern Social Metaphors in Cartoon from the Dramaturgical Perspective |
| 投稿时间：2026-04-13 |
| DOI：10.16018/j.cnki.cn32-1499/c.202604013 |
| 中文关键词: 《卡通》 罗伯特·库弗 拟剧论 荒诞 后现代 |
| 英文关键词: Cartoon Robert Coover Dramaturgical Theory absurdity postmodern |
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| 中文摘要: |
| 美国作家罗伯特·库弗的短篇小说《卡通》以卡通与真实世界的碰撞为叙事核心,描绘了一系列超现实的荒诞场景。在欧文·戈夫曼的拟剧论视角下,日常社会互动本质是社会表演。《卡通》的荒诞实为对后现代社会危机的象征性隐喻:库弗将表演区域的消解、印象管理的失效和剧班协作的瓦解夸张为荒诞的文学图景,解构了理想社会表演的互动规则,暗示后现代社会在社会边界、个体身份以及群体共识上的深层困境。而在混乱背后,是表演规则的瓦解为互动秩序的重新协商提供的空间,指向了在荒诞中寻找希望的后现代破局之路。 |
| 英文摘要: |
| American writer Robert Coover, renowned for his innovation in postmodern metafiction, infuses his works with both pioneering experimentalism and strong social awareness. His short story Cartoon centers its narrative around the collision between animated fiction and social reality, depicting a series of absurd surreal scenarios. From the perspective of Erving Goffman's Dramaturgical Theory, daily social interactions are essentially social performances. The absurdity in Cartoon is actually a metaphor for the crisis of postmodern society. The dissolution of stage region, the failure of impression management, and the breakdown in team cooperation, all these have been transformed into an absurd literary landscape by Coover through exaggeration, thereby deconstructing the interactive rules of idealized social performance and implying the deep-seated dilemmas of postmodern society regarding social boundaries, individual identities, and collective consensus. Behind the chaos, the breakdown of established performance rules exactly makes room for the renegotiation of the interaction order, proposing postmodern pathways of breaking through absurdity and seeking hope in postmodern society. |
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