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| 物的赋魅： 《猫眼》中物质动能与身体的双重叙事 |
| The Enchantment of Things: Dual Narratives of Material Agency and the Body in Cat's Eye |
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| DOI：10.16018/j.cnki.cn32-1499/c.202603012 |
| 中文关键词: 《猫眼》 阿特伍德 物质书写 物质叙事 |
| 英文关键词: Cat's Eye Margaret Atwood material writing material narrative |
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| 中文摘要: |
| 作为新物质主义的两大核心概念，“动能”与“内在互动”在文学领域通过物人关系中消解主客体与物质叙事中主体身份的建构得以具象化，成为聚焦“物”的“物性”的有效途径和关注重点。在小说《猫眼》中，玛格丽特·阿特伍德受当代视觉艺术家的启发，创造性地构想了一系列绘画作品，将写作重心置于物质细节书写之中，通过破除人类和非人类物质、身体和非身体的二元对立关系，以物质世界的丰富性、能动性、关联性，挑战人类中心主义地位，解构权利关系并消解非此即彼的对抗性思维，避免人类再度陷入“以牙还牙，以眼还眼”的伦理危机，体现了对后人类主义思想的文学探索。 |
| 英文摘要: |
| As two core concepts of neo-materialism, "agency" and "intra-action" have been concretized in the literary field through the dissolution of subject-object dichotomies within human-object relations and the construction of subjective identities through material narratives. These concepts serve as significant analytical lenses for investigating the "thingness" of objects. In Cat's Eye, Margaret Atwood, inspired by contemporary visual artists, creatively conceived a series of paintings, focusing her writing on the detailed description of materials. By breaking the binary opposition between human and non-human matter, body and non-body, she challenged the anthropocentric status with the richness, initiative and interrelation of the material world. This deconstruction of power relations and dissolution of either-or confrontational thinking prevents humanity from once again falling into the ethical crisis of "an eye for an eye and a tooth for a tooth, " reflects the literary exploration of posthumanist thought. |
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