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| 苏北抗日根据地戏剧改造与群众动员——以淮剧改造为中心的考察 |
| Opera Reform and Mass Mobilization in the Northern Jiangsu Anti-Japanese Base Area: A Case Study of Huai Opera Reform |
| 投稿时间：2025-08-27 |
| DOI：10.16018/j.cnki.cn32-1499/c.202602002 |
| 中文关键词: 苏北抗日根据地 淮剧 黄其明 群众动员 |
| 英文关键词: The Northern Jiangsu Anti-Japanese Base Area Huai Opera Huang Qiming mass mobilization |
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| 中文摘要: |
| 作为苏北地区家喻户晓的传统戏剧,淮剧在苏北人民中有着广泛的影响。为充分发挥淮剧动员群众、支持抗战的积极作用,以黄其明为代表的苏北根据地文艺工作者,以"旧瓶装新酒"的方式对旧淮戏进行了全面改造,创作出《照减不误》《渔滨河边》等一大批具有鲜明时代特征的新淮剧,在宣传党的方针政策、推进减租减息、揭露国民党顽固派本质、引领群众热爱共产党、新四军及增强群众爱国意识等方面,都起到了重要作用。 |
| 英文摘要: |
| As a traditional opera widely known in Northern Jiangsu, Huai Opera has exerted extensive influence among the local populace. To fully leverage the positive role of Huai Opera in mobilizing the masses and supporting the war effort, literary and artistic workers in the Northern Jiangsu Base Area, represented by Huang Qiming, revamped the traditional Huai Opera by "repackaging with new content", creating a multitude of new Huai Opera works with distinct epochal features, such as Zhao Jian Bu Wu and Yu Bin He Bian. These operas played an significant role in publicizing the Party's policies, advancing rent and interest rate reduction campaigns, exposing the nature of Kuomintang die-hards, guiding the masses to cherish the Communist Party of China and the New Fourth Army, and enhancing the populace's patriotic consciousness. |
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