文章摘要
当代艺术混合媒介与“实验空间”观念演变探析
An Analysis of the Evolution of the Concept of "Experimental Space" in Contemporary Mixed-Media Art
  
DOI:10.16018/j.cnki.cn32-1499/c.202602015
中文关键词: 混合媒介艺术  实验空间  空间范式  跨媒介实践
英文关键词: mixed-media art  experimental space  spatial paradigm  intermedia practice
基金项目:
作者单位
陆正鹏 南京艺术学院 设计学院, 江苏 南京 210013 
徐旻培 南京艺术学院 设计学院, 江苏 南京 210013 
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中文摘要:
      当代艺术对空间的理解,早已跳出过去那种固定几何容器的局限,逐渐转向能持续生长、不断变化的场域。这种新的思考方向,强调借助不同媒介与感官体验来构建空间。空间不再仅仅是承载叙事的背景板,它还与人们的感知体验、作品的物质特性深度交织。艺术作品通过自身材质与观众感官的互动,让时间的流动与记忆的碎片在这个场域中交叠呈现,此时的空间本身就成为需要亲身参与感受的“事件”,各类不同的元素都能在此找到共存的可能,这种对空间理解的转变,拓宽了艺术表达的边界。从现实背景和实际价值来看,它为知识的生成、艺术的创作提供了不少可借鉴的思路。
英文摘要:
      The spatial conception of contemporary art has shifted from a traditional geometric container to a generative field. This paradigm foregrounds cross-media, multi-sensory spatial construction: vision, audition and other senses interweave with image, sound and installation to activate experience. Space not only carries narrative but is entangled with perception and materiality; through interactions between matter and the senses, time and memory intersect within the field. Space thus becomes an embodied "event" that manifests plural coexistence. This turn expands the boundaries of artistic language and offers theoretical insights for knowledge production and artistic creation.
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