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| 枢始得其环中： 庄子的观物方式及在当代艺术中的转化 |
| "The Pivot in the Center of the Ring": Zhuangzi's Way of Viewing Things and Its Transformation in Contemporary Art |
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| DOI：10.16018/j.cnki.cn32-1499/c.202602014 |
| 中文关键词: 庄子 观物方式 齐物论 当代艺术 |
| 英文关键词: Zhuangzi way of viewing things Qiwulun (The Adjustment of Controversies) contemporary art |
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| 中文摘要: |
| 庄子在《齐物论》中提出“枢始得其环中，以应无穷”的命题，强调超越对立和分离的形态，如“是”“非”“彼”“此”等，从而实现对天地万物的整体统摄和全面观照，使观者能够超越“一曲”“一察”的局限，做到“莫若以明”和“照之于天”。以古代画论为线索，探讨这一哲学观念如何逐步转化为中国古典绘画中以“移动视点”为特征的审美观照方式，进而以大卫·霍克尼和徐冰的创作为例，探讨这一观物方式在当代艺术中的创造性转化，揭示庄子哲学在当代视觉文化中的持续生命力。 |
| 英文摘要: |
| In Qiwulun (The Adjustment of Controversies), Zhuangzi advances the proposition that "the pivot finds its place in the center of the ring, thereby responding to the endless" (shu shi de qi huan zhong, yi ying wuqiong), emphasizing the transcendence of dichotomous and fragmented paradigms—such as affirming and denying ("right" and "wrong"), "that" and "this"—to achieve a holistic integration and comprehensive contemplation of all things between heaven and earth. This enables the observer to surpass the constraints of subjective experience and the limitations of partiality ("a single aspect") and singular scrutiny ("a single observation"), ultimately attaining the realms of "the proper light of the mind" (mo ruo yi ming) and "viewing things in the light of Heaven" (zhao zhi yu tian). Tracing the lineage of ancient Chinese treatises on painting, this paper explores how this philosophical concept was gradually transformed into an aesthetic mode of contemplation characterized by a "shifting perspective" in classical Chinese painting. Furthermore, through analyses of works by David Hockney and Xu Bing, this paper investigates the creative transformation of this way of viewing things in contemporary art, thereby revealing the enduring vitality of Zhuangzi's philosophy in contemporary visual culture. |
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