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| 论淮剧艺术悲情性的文化审美特征 |
| On the Cultural and Aesthetic Characteristics of Tragedy in Huai Opera Art |
| 投稿时间：2025-09-27 |
| DOI：10.16018/j.cnki.cn32-1499/c.202602001 |
| 中文关键词: 淮剧 悲情性 特征 探究 |
| 英文关键词: Huai Opera tragic nature characteristics exploration |
| 基金项目:江苏高层次人才培养"333工程"项目((2024)3-0844)；江苏省高职院校专业学术带头人高端研修资助项目(2024GRFX076) |
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| 中文摘要: |
| 悲情性是淮剧艺术鲜明的审美特征,既是盐淮地区淮剧文化产生的一种先天基因,也是淮剧后来传承、发展的审美特征,其是由苏北盐淮地区的独特地理、社会环境,以及草根性、乡土化、大众性的文化特质所决定的,更是作者、演员和观众共同的贫苦身世、审美取向所形成的,此乃淮剧艺术的"根"之所系。悲情性,亦与淮剧剧目题材内容方面的多苦情戏、以悲苦为主要风格、悲壮的曲调声腔、悲哀的演唱方式等有着密切关系,此乃淮剧生存发展的"魂"之所在。 |
| 英文摘要: |
| Tragedy is a distinctive aesthetic feature of Huai Opera art. It is not only an innate genetic element of Huai Opera culture in the Yancheng-Huai' region but also an aesthetic trait that has been carried forward and developed throughout the history of Huai Opera. This tragic quality is shaped by the unique geographical and social environment of the Subei Yancheng-Huai' region, as well as by the grassroots, local, and popular cultural characteristics of the area. Moreover, it is deeply rooted in the shared impoverished backgrounds and aesthetic orientations of playwrights, performers, and audiences—constituting the "root" of the Huai Opera art. Tragedy in Huai Opera is also closely associated with the subject matter of its repertoire, which features numerous sorrowful and bitter plays, a predominantly tragic and plaintive style, solemn and mournful melodic tones, and sorrowful singing techniques. These elements form the "soul" of the survival and development of Huai Opera art. |
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