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| 西汉骚体赋流变视阈下的王褒《洞箫赋》创作 |
| A Study on Wang Bao's Creation of Dongxiao Fu in the Context of the Evolution of Sao-Style Fu in the Western Han Dynasty |
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| DOI：10.16018/j.cnki.cn32-1499/c.202506010 |
| 中文关键词: 骚体赋 咏物赋 王褒 《洞箫赋》 |
| 英文关键词: Sao-style fu object-description fu Wang Bao Dongxiao Fu |
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| 摘要点击次数: 13 |
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| 中文摘要: |
| 汉武帝前，骚体赋与非骚体赋的创作在内容与主旨上皆有不同，骚体赋集中用于感怀，咏物、讽谏等主题几乎不以骚体来书写。武帝时期，骚体赋的主题、形式都有所拓展，骚体赋与非骚体赋作相互影响。王褒《洞箫赋》即是在如此文学进程中所产生的以骚体赋之形式作咏物之篇的创新之作。《洞箫赋》在内容上兼取《七发》和《橘颂》，虽无关讽谏、教化或言志，但亦具儒家乐论，以切骚体赋重情志的创作传统。 |
| 英文摘要: |
| Before the reign of Emperor Wu of Han, Sao-style fu and non-Sao fu diverged in themes and purposes: Sao fu focused on lyrical introspection, while object object description and admonitions adopted non-Sao forms. During the reign of Emperor Wu’s reign, Sao fu expanded thematically and formally, interacting with non-Sao works. Wang Bao's Dongxiao Fu emerged as a landmark innovation—crafting an object rhapsody in Sao style. Dongxiao Fu assimilates thematic elements from both Qifa and Ju Song in its textual composition. While devoid of explicit didactic admonitions, moral cultivation, or declarations of personal aspiration, it nonetheless integrates Confucian musical philosophy. This approach aligns with the Sao-style fu tradition that emphasizes emotional depth and introspective expression as its core creative principle. |
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