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| 鲁迅小说的文化批判与反思——以《呐喊》《彷徨》中的人物群像为例 |
| Cultural Criticism and Reflection in Lu Xun's Novels: A Study of Character Archetypes in Outcry and Hesitation |
| 投稿时间：2025-01-15 |
| DOI：10.16018/j.cnki.cn32-1499/c.202502010 |
| 中文关键词: 文化批判 人物群像 国民性 |
| 英文关键词: cultural criticism character archetypes national character |
| 基金项目:安徽省风险度量与管理创新团队项目(2024AH010011)；大学生素质教育研究中心校级科研项目(IFQE202309) |
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| 中文摘要: |
| 实现“立人”“立国”的社会任务,需要对封建文化“吃人”本性进行揭批,鲁迅在《呐喊》和《彷徨》中通过“封建士绅”“劳动群众”“辫子客”“知识分子”等人物群像的塑造,揭示了封建文化的“吃人”本性。物质生活前提和无法挣脱的社会关系让单纯的文化批判无法实现现代国家的构建,鲁迅在文本中理性思考“呐喊”之后陷入“彷徨”的无奈,认为这是从传统走向现代必然经历的阵痛,是启蒙者社会责任的时代化呈现。 |
| 英文摘要: |
| To achieve the social objectives of "cultivating people" and "building a nation," it is imperative to expose and critique the predatory nature of feudal culture. Through his novels Outcry and Hesitation, Lu Xun graphically depicts the cruelty and inhumanity of feudal culture by portraying various character archetypes including "feudal gentry" "laboring masses" "queue-wearers" and "intellectuals" Constrained by material conditions and entrenched social relations, mere cultural criticism proves inadequate for modern nation-building. Lu Xun's profound reflection on the transition from "outcry" to "hesitation" reveals this as the inevitable growing pain in the modernization process, embodying the historical manifestation of intellectuals' social responsibility. |
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