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| 论侯孝贤电影悲剧美学的创作手法 |
| Research on the Tragic Aesthetics Techniques of Hou Hsiao-hsien′s Films |
| 投稿时间：2023-05-24 |
| DOI：10.16018/j.cnki.cn32-1499/c.202402012 |
| 中文关键词: 侯孝贤电影 悲剧美学 悲剧意识 |
| 英文关键词: Hou hsiao-hsien′s films tragic aesthetics consciousness of tragedy |
| 基金项目: |
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| 中文摘要: |
| 侯孝贤电影的底色是“苍凉”，其电影主题彰显出浓重的悲剧意识，体现了中华文化“哀而不伤”的诗教传统。 侯孝贤电影的悲剧美学手法不仅是对传统电影语言的创新，也是其传达悲剧精神的有力载体。探究了侯孝贤电影的悲剧镜头语言、悲剧抒情方式和悲剧意境，凸显侯孝贤电影作为一种悲剧审美形态的价值，不仅是对美与真实的坚守，更是对生命伦理的一种传承。 |
| 英文摘要: |
| The background color of Hou Hsiao-hsien′s films is "desolation", and the themes of his films show a strong sense of tragedy. His films also promote the moderate and peaceful spirit which represent a feeling of "sorrow but not hurt" in a tradition of Chinese poetry education. The tragic aesthetics techniques of Hou Hsiao-hsien′s films is not only an innovation of traditional film language, but also a powerful carrier for conveying the tragic spirit. This article mainly explores the tragic lens language, tragic lyricism and tragic artistic conception of Hou Hsia-hsien′s films, thereby highlighting the value of Hou Hsiao-hsien′s films as a tragic aesthetic form, which is not only an adherence to beauty and truth, but also a inheritance of bioethics. |
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