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| 中国美术电影的观念论争及其跨媒介叙事研究 |
| Research on the Debate of Chinese Animated Film Concept and Inter-media Narrative |
| 投稿时间：2023-04-01 |
| DOI：10.16018/j.cnki.cn32-1499/c.202303016 |
| 中文关键词: 中国美术电影观念 论争 跨媒介叙事 |
| 英文关键词: Chinese Animated Film concept debate inter-media narrative |
| 基金项目:江苏高校哲学社会科学研究重大项目(2019SJZDA124)。 |
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| 中文摘要: |
| 跨媒介叙事是中国美术电影的主要艺术特征。中国美术电影观念的生成有两大因素，分别为苏联和西方动画电影的启迪和中华优秀传统文化的影响。电影论派主张“中国美术电影是美术性较强的电影作品”，而美术论派主张“中国美术电影是电影性较强的美术作品”。伴随观念论争的持续，中国美术电影与美术、戏曲和音乐等其他艺术之间互通互用的现象愈加频繁，并逐渐探索出一条独具本民族风格的跨媒介叙事模式，推动中国美术电影位列世界经典动画长廊。 |
| 英文摘要: |
| Inter-media narration is the main artistic feature of Chinese Animated Film. There are two major factors in the formation of conception of Chinese Animated Film, namely the enlightenment of the former Soviet Union and western animated films and the influence of excellent Chinese traditional culture. The film theory advocates that Chinese Animated Film are fine arts, while the art theory advocates that Chinese Animated Film are cinemas. With the continuous debate on conception, the andersstreben between Chinese Animated Film and other arts such as Paintings, Chinese opera and music becomes more and more frequent, and a unique national style of inter-media narrative mode is gradually explored, which promotes Chinese Animated Film to be among the world′s classic animation gallery. |
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