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| 鳌园游廊石壁雕刻中的闽南石雕艺术特质研究 |
| A Study on the Paradigm of Minnan Stone Carving in the Stone Wall Carving of Aoyuan Gallery |
| 投稿时间：2022-07-16 |
| DOI：10.16018/j.cnki.cn32-1499/c.202301015 |
| 中文关键词: 鳌园 闽南石雕 游廊石壁 新特质 |
| 英文关键词: Aoyuan Minnan stone carving gallery stone wall paradigm |
| 基金项目:厦门工学院2022年校级中青年科研基金项目(KYS2022003)；福建省人文社科基地闽南石雕艺术与产业发展研究中心项目(KYSD2019002)。 |
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| 中文摘要: |
| 集美鳌园因其精美的石雕作品而闻名于世，其中以游廊石壁上的镂空雕刻作品最为精彩，是闽南石雕艺术的重要代表作品之一。以鳌园游廊石壁青石浮雕为对象，从游廊石壁形式、以非传统题材为雕刻选材、雕刻制作三个方面进行论述，探讨闽南石雕艺术在特定历史时期形成的南派石雕特质。 |
| 英文摘要: |
| Jimei Aoyuan garden is famous for its exquisite stone carvings, among which the most splendid are the hollowed out carvings on the stone walls of the gallery, which are one of the important representative works of stone carving art in southern Fujian. This article will take Aoyuan gallery stone wall bluestone reliefs as the object, and discuss the new paradigm of Southern stone carving gradually formed in the specific historical period from the following three aspects: the form of corridor stone walls, the selection of materials for carving with non-traditional themes, and carving production. |
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