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| 明代苏州城市变迁与吴门书画——以仇英《清明上河图》(辛丑本)为中心的考察 |
| Transformation of Suzhou City in Ming Dynasty and Painting and Calligraphy in the Area of Wu ——Based on the Study of Riverside Scene at Qingming Festival(Xin Chou Version) |
| 投稿时间：2022-03-01 |
| DOI：10.16018/j.cnki.cn32-1499/c.2022030013 |
| 中文关键词: 城市 变迁 吴门 书画 仇英 |
| 英文关键词: city transformation the School of Wu painting and calligraphy Qiuying |
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| 中文摘要: |
| 明代苏州工商业经济的发展推动了城市的变革，这在一定程度上为吴门书画的兴盛奠定了扎实的基础:城市版块的扩张拓宽了书画创作想象的空间，长卷山水、人物画大量出现；都市繁华与市井文化的兴起丰富了书画创作的题材；商业兴盛背景下明代苏州城市格局发生巨大的变迁，商人、文人群体在阊门一带高度聚集，吴地书画有了广阔市场需求。明代画家仇英曾寄居阊门并迎来他的书画创作巅峰，《清明上河图》(辛丑本)即是其中之一，为剖析吴地书画的兴盛提供了重要切口。 |
| 英文摘要: |
| The development of Suzhou′s industrial and commercial economy in Ming Dynasty promoted the transformation of the city, which laid a solid foundation for the prosperity of Painting and Calligraphy in the area of Wu to a certain extent: the expansion of the urban area broadened the imagination space of painting and calligraphy creation, and a large number of long scroll landscapes and figure paintings appeared; the prosperity of the city and the rise of street culture enriched the theme of painting and calligraphy creation; the urban pattern of Suzhou in the Ming Dynasty changed greatly under the background of commercial prosperity. Merchants and literati groups gathered in the area of Chang Men, a big market demand for Wu paintings and calligraphy was created. Qiuying, a painter of the Ming Dynasty, once lived in Chang Men and ushered in the peak of his painting and calligraphy creation. Riverside Scene at Qingming Festival(Xin Chou Version) is one of his greatest, which provides an important incision for analyzing the prosperity of painting and calligraphy in the Area of Wu. |
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