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| 中国传统山水画创作的“设计性”——从《踏歌图》谈起 |
| On the "Designability" of Chinese Traditional Landscape Painting——Starting from the "Ta ge tu" |
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| DOI：10.16018/j.cnki.cn32-1499/c.202106017 |
| 中文关键词: 山水国画 设计性 技法 观念 意象 |
| 英文关键词: landscape painting design techniques idea image |
| 基金项目: |
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| 摘要点击次数: 6358 |
| 全文下载次数: 4301 |
| 中文摘要: |
| 从山水国画创作技法的“设计性”、创作观念的“设计性”和创作意象的“设计性”三个层面探讨了中国传统绘画创作的内在精髓，指出中国传统绘画历史发展主线的“设计性”典型性特质似乎从未更改过，“生成性”“创造性”则成为绘画创作的灵魂所在。 |
| 英文摘要: |
| From the landscape painting creation techniques of "design", creative concept of "design" and the "design" to create images for three aspects discusses the inherent essence of traditional Chinese painting creation, explicitly pointed out that the development of Chinese traditional painting history main line of "design" typical traits seem to never change, "generativity" "creative" has become the soul of the painting creation. |
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