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| 《镜花缘》与李汝珍音韵学思想研究 |
| The Study of The Flowers in the Mirror and Li Ruzhen's Phonetic Thought |
| 投稿时间：2020-10-15 |
| DOI：10.16018/j.cnki.cn32-1499/c.202102014 |
| 中文关键词: 李汝珍 《镜花缘》 《李氏音鉴》 音韵学思想 |
| 英文关键词: Li Ruzhen the Flowers in the Mirror Lishi Yinjian the theory of phonology |
| 基金项目: |
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| 中文摘要: |
| 李汝珍创作《镜花缘》时将自己的音韵学思想部分地融入其中。通过对这部分内容的爬梳，可以窥得其音韵学思想。其中有较为进步的观念，也有因循前代韵学思想的成分。将《镜花缘》反映的李汝珍韵学思想与《李氏音鉴》相对比，发现《镜花缘》中的音韵学思想既有重视实际语音的创新之处，又存在着某些存古思想，这与《镜花缘》中音韵学相关内容来源的复杂性有关:来源于《李氏音鉴》者因其与李汝珍等韵学思想的关联而带有创新性，与上古音、中古音相关的内容则因为李氏的创作旨趣、清代上古音研究中普遍存在的存古思潮，以及“求雅存正”的文学语言观关系密切而带有“存古”特色。 |
| 英文摘要: |
| Li Ruzhen partially integrated his own phonetic thought into the composition of The Flowers in the Mirror. Through combing this section, we can get a glimpse of Li Ruzhen's phonological thoughts, some of which are more progressive than those of other phonological scholars of his time, but some of which are also based on the phonological thoughts of his predecessors. Comparing Li Ruzhen's phonological thoughts reflected in The Flowers in the Mirror with Lishiyinjian, it is found that the phonological thoughts in The Flowers in the Mirror are more complex and diverse, which not only pays attention to the innovation of actual phonetics, but also has some ancient thoughts. This is related to the complexity of the sources of phonology and phonology in The Flowers in the Mirror. Those from Lishiyinjian are innovative because of their association with Li Ruzhen's ideas of phonology, but the contents related to archaic to ancient Chinese sounds are closely related to Li's creative purport, the prevailing trend of thought in the study of ancient phonology in Qing Dynasty, and the literary language view of “seeking elegance and keeping integrity”. And it also with the “ancient” characteristics. |
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