文章摘要
庄子“吾丧我”思想下的绘画创作与教学
The Painting Creation and Teaching Under the Thought of Chuang Tzu's "I Lost Me"
投稿时间:2018-11-01  
DOI:10.16018/j.cnki.cn32-1499/c.201901016
中文关键词: 吾丧我  知我  欲我  无蔽真理
英文关键词: I lost me  I know  I want to be  without the truth
基金项目:湖南省教育厅科学研究一般项目(17C0348)
作者单位
周锧 湖南第一师范学院 美术与设计学院, 湖南 长沙 410205 
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中文摘要:
      庄子“吾丧我”思想是《齐物论》全篇的精神内核,对于当前的绘画创作与教学有着深刻的启示性。首先,分析历来学者对于“吾丧我”的各种解说,力图准确把握其含义。其次,回望西方绘画创作历程,分析西方绘画创作与“我”之间的各种关联性。再次,比较庄子“吾丧我”思想与海德格尔的“无蔽真理”观的相通性。最后,运用“吾丧我”思想解读法国绘画大师保罗·塞尚的绘画创作历程。
英文摘要:
      "Equality of Things and Opinions" is the second chapter of Expatiations, which plays the role of the connecting, link, the "I Lost Me" thought as one of the highest standards of thinking runs through the whole text, and will be closely linked together. Zhuangzi's thought of "My bereavement" has a profound guiding significance to the present painting creation and teaching. First, the analysis of the history of scholars for "I lost me" the various explanations, accurately grasp its meaning. Secondly, looking back at the western painting process, the author analyzes the relationship between Western painting and "I". Thirdly, comparing Zhuangzi's thought of "My Lost Me" and Heidegger's "no-shield truth" view, point out the similarities between them. Finally, the use of "I lost my" thought to unscramble the painting Master Cezanne's painting creation.
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