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| 中国现代“生态书法”与东亚现代派书法 |
| Chinese Modern "Ecological Calligraphy" and East Asia Modernist Calligraphy |
| 投稿时间：2017-03-22 |
| DOI：10.16018/j.cnki.cn32-1499/c.201702012 |
| 中文关键词: 生态书法 现代书法 东亚现代派书法 |
| 英文关键词: ecological calligraphy modern calligraphy east asia modernist calligraphy |
| 基金项目: |
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| 中文摘要: |
| 中国生态书法是一种现代书法，是“天人合一”的书写方式，追求人类主体与自然之间和谐相处的文字书写方式，是当代“生态艺术”(人体艺术、自然介质与动植物艺术)的一种。生态书法取意“道法自然”，依据儒学的生态思想创立。通过自然万物的客体意象与主体审美观念的辩证作用，形成中国现代书法特有的“天行健君子自强不息”的书法原则。而日本现代派书法则继承了禅宗书体与西方现代派艺术精神，使得东亚现代书坛具有多元性与现代性。 |
| 英文摘要: |
| The popularity of "Modern Calligraphy" in Japan and other countries has called into question the legitimacy of Chinese modern calligraphy. The authors hold that Chinese ecological calligraphy is one kind of it. The ecological art school pursues the ecological harmony between man and nature, and the ecological beauty of human body, animals and plants through natural media. The imitation of nature is combined with Confucianist ecological ideas. The dialectical interaction between objective images and subjective aestheticism has formulated the principle upholding that heaven helps a gentleman to strive for self-improvement. Japanese modernist calligraphy inheritted the style of Zen Buddhism and Western Modernist Art, while the calligraphy in east asia is characteristized by diversified oriental modernity. |
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