|
| 由《大圣归来》谈动画制作中传统文化的继承与发展 |
| The Importance of Inheriting the Traditional Culture in Chinese Animation |
| 投稿时间：2016-09-28 |
| DOI：10.16018/j.cnki.cn32-1499/c.201604016 |
| 中文关键词: 动画 传统文化 批判继承 |
| 英文关键词: animation traditional culture critical inheritance |
| 基金项目:2015年度南通市社科基金一般项目(2015BNT010) |
|
| 摘要点击次数: 3517 |
| 全文下载次数: 3027 |
| 中文摘要: |
| 纵观这几年国产动画片的成败，分析动画《大圣归来》获得成功的原因，由此分析国人要在世界动画舞台上有一席之地，必须要做自己的片子。离开植根千年的文化土壤我国动画很难充满生机活力；如今面对强大的西方文化，我们必须摒弃不合时宜的传统，有意识地继承与发展其中具有生命力的文化，形成与世界先进动画接轨的格局，完成下一步全球化的文化融合。 |
| 英文摘要: |
| The success of the animation "Monkey King: Hero is Back" is analysed in this thesis with the domestic cartoon animation's success and failure in recent years. The Chinese animation must do its best to have a place in the world. It is difficult to survive for Chinese animation without rooted millennium cultural soil. Now in the face of strong western culture, the traditional inheritance which is inopportune or inappropriate must be abandoned. The vitality of the culture should be developed and inherited consciously. In this way, the connection with the world's developed animation could be formed and completeness of the next step of cultural globalization could be reached. |
|
查看全文
查看/发表评论 下载PDF阅读器 |
| 关闭 |