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| 由人物塑造看香港邵氏电影《阎惜姣》对《水浒传》的影像改编 |
| On Adaption of the Movie "Yan Xi jiao" Produced by "Shaw Brothers(Hong Kong)Limited" on "Water Margin" through the Characterization of Images |
| 投稿时间：2016-01-22 |
| DOI：10.16018/j.cnki.cn32-1499/c.201604013 |
| 中文关键词: 阎婆惜 《阎惜姣》 《水浒传》 人物塑造 戏曲唱段 |
| 英文关键词: Yan Po xi "Yan Xi jiao" "Water Margin" characterization of the image traditional opera singing |
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| 中文摘要: |
| 由邵氏兄弟(香港)有限公司投资拍摄、集中展现《水浒传》中“宋江杀惜”情节的影片《阎惜姣》一方面通过对阎婆惜追求真爱及其孝女形象的彰显重新塑造了这一特殊的女性人物；另一方面，影片又出色地发挥了戏曲唱段对于片中人物性格刻画的重要作用，从而既折射出上世纪六十年代的香港电影对于《水浒传》人物精神内涵的特殊理解与诠释，亦体现出戏曲元素对于古典名著改编的重要意义。 |
| 英文摘要: |
| The movie "Yan Xi jiao", which produced by "Shaw Brothers(Hong Kong)Limited" reappeared the plot "Song Jiang murdered Yan Po xi" from the novel "Water Margin". The movie characterized the image of Yan Po xi by ascension of her pursue of good love and her filial to her parents. On the other hand, the movie exerted important function of traditional opera on the characterization of image in the movie, which not only reflected the unique explanation on the novel “Water Margin” from Hong Kong films in 1960s, but also reflected that traditional opera singing has lots of significance for adaption on classical literature. |
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