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| 论非对象性的绘画创作 |
| Discusses The Non Objective Painting Creation |
| 投稿时间：2015-03-10 |
| DOI：10.16018/j.cnki.cn32-1499/c.201502016 |
| 中文关键词: 非对象性 虚静 直观 被给予性 具象表现 |
| 英文关键词: concrete presentation quiescence perceptual intuition being given concrete expression |
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| 中文摘要: |
| 艺术现象学的基本问题是一种非对象性的艺术创作是否可能及如何可能的问题。直观相继而来的被给予性，并非所有的被给予性都绝对的通向非对象创作，唯有基于虚静主体的直观被给予性，才能真正实现非对象性的绘画创作。首先论述虚静就是世间一切存在的根源和本性。其次论述直观对于画家真正接近事物和实现非对象性创作的重要意义。再次论述马里翁所勾画的新主体如何取代了建构性的“我”，从而实现了去主体形而上学的历史使命。最后论述了具象表现绘画理论对于非对象性绘画创作的启示。 |
| 英文摘要: |
| The basic problems of phenomenology of art is a kind of non objective art creation is possible and how possible problems. Intuitively one after another to be given, but not all of givenness are absolute leading to non object creation, only on the basis of quiescence subject visual aflood of givenness, can we truly achieve the non objective painting creation. First, the quiescence is all the world the existence of the origin and nature. Secondly, the intuitive for painter really close to things and realize the significance of non object creation. New subject Mali Weng have outlined how to replace a constructive "I", so as to realize the historical mission to subject metaphysics. Finally the paper discusses the art of Figurative Expressionism theory for non objective painting creation enlightenment. |
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