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| 从有意味的形式看中国戏曲之美学矛盾——以京剧为例 |
| Analysis of the Aesthetical Contradiction in Temporary Peking Opera from the Theory of Significant Form |
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| DOI：10.3969/j.issn.1008-5092.2010.04.013 |
| 中文关键词: 形式 意味 有意味的形式 京剧 |
| 英文关键词: form significance significant form Peking Opera |
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| 中文摘要: |
| 英国形式主义美学家克莱夫·贝尔在<文艺>中提出的"有意味的形式就是一切艺术的共同本质",根据形式与意味在审美经验中紧张关系,以京剧为例,分析这一美学原理在中国传统戏剧的体现及其带来的困惑与张力. |
| 英文摘要: |
| As British formalism anesthetist Clive Bell held in his work Art,’significant form’ is the common essence of all art.The following essay is based on the expression of form and significance in Peking Opera of the contemporary ear,yet,the connection and construction between each other,in order to analyses the aesthetical contradiction of it. |
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